Where is locksley england

Note that you'll need a paid Lightroom premium plan to use the features for perspective correction. It's been a while since I visited the castle. If you're curious about which apps and accessories I use nowadays, check out my iPhone photography overview page where you'll find answers to all of these questions. Old Wardour Castle. For your convenience, here's the route from Stonehenge to Old Wardour Castle on Google Maps To castle is being maintained in its decayed state, and you need to buy an affordable ticket on-site to access and see it.

Old Wardour Castle was used as Locksley's Castle in the movies The castle is so spectacular that it was used as a filming location for the film Robin Hood , starring Kevin Costner.

Photos of Old Wardour Castle What I found so stunning about this castle is that one half is quite intact, while the other half is just missing. Intact half of Old Wardour Castle. Yorkshire , wounded his stepfather to death at plough: fled into the woods, and was relieved by his mother till he was discovered. Then he came to Clifton upon Calder, and came acquainted with Little John, that kept the kine cattle which said John is buried at Hathershead Hathersage in Derbyshire, where he hath a fair tomb-stone with an inscription.

According to some sources, the lords of Hallamshire were descendants of the early medieval kings of Scotland through the Earl of Huntingdon. The small village of Loxley now a suburb of western Sheffield, lies within Hallamshire or Hallam, the historical name for an area of South Yorkshire. As the centuries passed, the tale of Robin Hood evolved as England evolved. With each new iteration, the Robin Hood legend would absorb new characters, settings, and traits—evolving into the familiar legend of today.

See also: Traveling through unfettered Yorkshire. See also: Jesse James: Rise of an American outlaw. Historian and archivist Joseph Hunter discovered that many different Robin Hoods dotted the history of medieval England, often with variant spellings. One of the oldest references he found is in a court register from Yorkshire, England. It cites the expropriation of the property of one Robin Hood, described as a fugitive.

In , in southern England, there is a similar mention of a man called William Robehod in Berkshire. Because Hunter and other 19th-century historians discovered many different records attached to the name Robin Hood, most scholars came to agree that there was probably no single person in the historical record who inspired the popular stories.

Instead, the moniker seems to have become a typical alias used by outlaws in various periods and locations across England. When historical records failed to yield a definitive personage behind the noble outlaw, scholars than turned to the popular culture of medieval England: folklore , poetry, and ballads.

These three formats all grew out of an oral tradition. See also: The hellish history of the devil: Satan in the Middle Ages. According to ballads, the setting of Robin Hood's adventures was not Sherwood Forest. The locals were being shut out of prime hunting ground, which led to the unpopularity of the laws.

Because the lands were protected from clear-cutting, the woods remained a wild place, making it the perfect setting where outlaws could hide and adventures could be spun.

By the 15th century the Robin Hood legend took on its first trappings of rebellion against the ruling class. It is the only early ballad to be set in Sherwood Forest near Nottingham, and it features Little John, one of the best-known members of the band of Merry Men. In the tale Robin Hood ignores the advice of Little John and leaves the safety of the forest. He travels to Nottingham to attend Mass and pray to the Virgin Mary.

At church Robin is recognized by a monk who turns him over to the sheriff. They return to Nottingham and free Robin from prison. The sheriff is humiliated but survives the story, while Robin, Little John, and Much return to the forest with the forgiveness of the king. In this story the monk—not the sheriff or the king—is the true villain.

This version of the legend visits extreme violence on the villain, delivered by Little John and Much. Later versions of Robin Hood stories would move away from these deaths that appear as collateral damage, but medieval audiences did not seem overly troubled by them. Medieval crime and punishment often centered around brutality and violence.

Kings, lords, and their representatives used it often to punish rebellious peasants. Bodies hanging from the gallows or displayed as a warning at crossroads were familiar sights during this time. These early Robin Hood ballads begin to show a turning of the tables, in which the lower classes are able to punish the upper classes through trickery and violence. In the 15th century more ballads about Robin Hood spread across England. One of the longest, A Gest of Robyn Hode , originates during this time.

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